The first chapter of my Master’s thesis looked at the history of Carnival in the Caribbean. In order to represent the syncretic nature of the festival, I chose to tell 3 separate narratives: the African story, the European story and the Indian Story. One story would not have done it justice. Now, having lived in metropolitan societies with many cultural groups, I’m beginning to see how the history of any given place is layered by many stories. Neighbourhoods become defined by cultural and racial borders, so that the city itself becomes a tapestry that immediately reflects the cultures that constitute its parts.
That being said, although there is great beauty in seeing the diversity of a place and people, I can’t help but wonder at the effect of separating the larger historical narratives of a society into racial counterparts. Why, for example, is the history of Black Americans segregated as Black History? Why isn’t their narrative equally represented as American history? Why is Native American history in Canada, taught as Native American studies? Why isn’t it just Canadian History? I can’t help but wonder if allowing history to be represented in racially skewed narratives does more harm than good. Is it still useful in society for the prevalent history to be by the conquerors? I would argue that there is nothing to be gained through a polarized history of a place or people.
There are many more useful insights to be gained from stories like those presented in Malcolm Gladwell’s books or Freakonomics or from podcasts like This American Life that look at real stories of real people. There’s a great Ted talk from novelist Chimamanda Adichie called ‘The danger of the Single Story’ that illuminates what I’m getting at with much more poise and eloquence. In her example she talks about the narrow way in which people respond to her, when they discovered she is from Nigeria. She talked about moving to America and being perceived as ‘African’ for the first time. She talks about the danger of creating single visions of entire cultures that preclude the opportunity for true empathy between cultural groups.
In a world that is learning to incorporate many cultures into the mainstream, we need to ease up on looking at individual histories as ‘us’ and ‘them’. That is no longer really useful. As an immigrant to Canada, it’s sometimes nice to be recognized for my cultural differences, but at the same time there’s danger in being seen as outside of what’s normal or expected. Being different makes it hard for people to respect you and impossible for you to feel like a real member of the society, when you are constantly reminded of how ‘other’ you are. People take for granted that they know my history because they have some vague notion of what being from the Caribbean might mean, based on all inclusive vacations, bad movies and Reggae music. They’re not interested in being corrected either. They’re already convinced of their own imagined story of my ‘otherness’.
Maybe there’s a more temperate way for everyone to look at history and cultural diversity. I wonder for example in the modern situation of world travellers, if we can demand truer histories of the places that we inhabit that are more inclusive of all the stakeholders of places and events. I wonder if it’s possible for people to back off on believing that they know everything about everyone and look at the world without the need to polarize things.
Lindsay Hall is a brilliant, young dancer who recently finished a series of performances with the 
I am mixed in every sense of the word. I am of different races and different countries (Black/white and Trinidadian/Canadian) and my influences and interests are just as varied. When I was younger and I met other people who were one race and from one place, I thought their lives must be so much simpler, not having to constantly explain where they are from and why they look the way they do, or (like in my case) why they have a Canadian accent but say they grew up in Tobago. But now that I am older (and I would like to think wiser as well!) and I am delving more and more into the dance world, I realize how unique my story is, and that I can use my background and my story in my dancing. I can embrace my story and not feel so bothered if I have to explain why my hair is the way it is or why I have freckles but my skin is brown.
The Coloured Collective 
