This week’s Colourful Woman feature showcases Charmaine Joseph. Charmaine is an Atlanta-based Marketing & Sales Coordinator for corporate apparel agency, The Gingerich Group. She is also the co-owner of a socially conscious t-shirt line: Global Warming. Charmaine partnered with Social Media maven, Lauren Shirreffs, and together they created t-shirts that touch on different issues from stereotyping, bullying, racism, body image, etc.
Our concept was to create “walking billboards,” these shirts are text based with pointed messages that are meant to educate, enlighten or provoke dialogue at a glance.
Recently, Global Warming started an initiative called “Global Change.” For this project they team up with different schools and have classes create designs on varied topics and then choose a winning design and have proceeds from the t-shirt sales go towards their charity of choice.
It’s very refreshing to go into classrooms and hear students talk about their visions for their designs and hear the passion that comes from their own life experiences, whether it be racism, bullying, body image etc.
The Global Change initiative’s winning design for Anti-Bullying. On sale at http://www.global-warming.ca from November 1st. designer: Martin Kondrat / The Academy of Design.
What makes you a “colourful woman”? I have to take this very literally when you say “colourful woman”! I actually think it may just be appropriate to insert a photo from my wedding here, the photo really says it all. I may just be the most colourful person I know (laughs). I actually gave my bridesmaids little Kate Spade coin purses that said “Live Colourfully”…it’s definitely my life theme.
Who or what are some of your colourful inspirations? I’m not sure if it is part of my Caribbean roots, but of course it’s a possibility having family from Barbados and growing up seeing the vibrant costumes for carnival, and that rich aspect of our heritage. Then there are the tropical flowers, the sea etc. Being nurtured in such a vivacious environment has a great impact.
What message would you like to share with our readers today? Be the best version of you. Don’t get caught up in someone else’s definition of success, beauty, love, or happiness. As Lauryn Hill once said, “God made us all different, on purpose.” I think our differences make us beautiful so just learn to love your shortcomings, your imperfections, your struggle, because they all add to the masterpiece. A painter mixes colours before they touch the canvas, nothing and nobody is perfect.
“Girl. Have camera. Will shoot” warns Canadian lawyer turned street-style fashion photographer Michelle Bobb-Parris. Over the past two years, Michelle has worked with the greatest fashion influencers, from NYLON magazine to Italian luxury retailer Luisa Via Roma and become a feature of London Fashion Week. This week, she’s celebrating her photographic partnership with Michael Kors for the opening of his new London store.
‘What makes you a colourful woman?’
Usually, when one is described as ‘colourful’ it can be a euphemism for so many things, but I’d like to think of myself as colourful because of what a friend described as my polymath left-brain/right-brain skill set. It has a lot to do with the well-rounded upbringing my parents gave me, full of academic encouragement, creative pursuits, and sports, which have shaped my career path (so far!). I have always found it difficult to define myself as only one thing.
Being a colourful woman, do you think you fit in differently in the street style blogger community?
I’d have to answer that with both a yes and a no. Yes, because I don’t know of other street style photographers with my experiential background, but no because the street style photographer community is a fairly diverse one. It’s a veritable cultural, racial, and career rainbow outside of the shows.
There’s been a lot of noise recently around Independent Fashion Bloggers arguing there were few colourful women in blogging because their content doesn’t measure up. What’s your take on it?
I tend to not put too much stock in comments that come from a misinformed or inflammatory place. When you are not looking for something, you won’t notice it’s missing from your circle, so it’s understandable that both the author and founder of IFB aren’t aware of high quality of blogs that come from outside of their myopic point of view.
‘Who are some of your colourful inspirations?’
My parents. They have taken on challenges in life and have instilled in me (and still do) so many life lessons and values that have sustained and guided me to where I am today.
‘What message would you like to share with our readers today?’
One of my favourite quotes: “The man at the top of the mountain didn’t fall there.” Work hard and success will follow.
What are your upcoming projects you’d like to share with our readers?
One that I can now share is that I just finished shooting a project for Michael Kors (under the hash tag #MKLOVESLONDON) to coincide with the opening of his store in Covent Garden, London, so look out for more about it this week.
This week marks the return of our “Colourful Woman Wednesday” series, which features stories of colourful women surviving and thriving. If you’d like to share your story, or nominate a colourful woman for this feature, email us or get in touch via Tumblr, Twitter or Facebook.
I had the genuine pleasure of sitting down with singer & songwriter Paola Jean as she shared her story with us, including some of the key experiences that drive her passion in music. Born and bred in Bern, Switzerland, this Brooklyn-based multilingual singer & songwriter infuses the diversity of her world into the melody and lyrics of her music, accompanied by beats from some of LA’s and NY’s most promising producers.
VM: So from Switzerland, to LA, to Brooklyn. Can you tell us a bit about your background, and how this journey has been unfolding so far?
PJ: I grew up in Switzerland, and I also have a home base in Los Angeles. My move from Switzerland to New York though, was definitely focussed towards pursuing my artistry. I’m in Brooklyn right now and I feel like as an artist, I can be anything I want to be in New York. There are no limits to how creative or how edgy I can be, and I draw a great amount of inspiration from my environment here. The last decade has been a very diverse mesh of work, my relationship, and my music. I’ve made a conscious decision at present, to really focus on my music and devote real attention to my art and the lyrics. My whole drive behind making music is that I want to leave a legacy when I’m gone. The lyrics you write today, yes they’re here now but it’s not just about today. What you put out there into the world is going to be a huge representation of who you are and the story that you want to tell, and it will be out there for a long time.
VM: Tell us a bit about your musical style and any of your inspirations.
PJ: Because of my upbringing, I draw from a lot of different fields of inspiration when I am defining my own musical style. With a Haitian mother and a Swiss father, I grew up listening to a lot of music from the caribbean, zouk, a lot of soul music, as well as traditional swiss music, and folk music. I like the ability to be a bit of a chameleon with my music, and I think it’s always better when it comes from your own experiences. For example, a project I am working on right now is my new record Love/Infinity. It pulls from a lot of personal experiences, as well as those of people around me. As in the title, it deals with love, but also the other aspects of love. Love and anger, for one, are part of the same thing if you look at it. The first single, “Relativity”, talks about separation and divorce – which is a whole other spectrum of being in love. I’m working on the follow up to that with a song called “Top of the World” where it talks about the metamorphosis of a woman who is no longer going to settle for someone who isn’t worth the sacrifice of taking to the top of the world. Another song, “You Gotta Be Here” talks about the longing for someone that you miss, yet you’re with that person. I took inspiration for that premise from the wars plaguing us globally, where men and women are separated because one half has to fulfill some type of duty. I wanted to acknowledge the sacrifice a lot of men and women have to make. I took that message, but it’s spun in a reggae style, just to take it out of the box a bit.
VM: How do you relate your upbringing into your music now?
PJ: I grew up in a place called Munsingen, just outside of Bern – Switzerland’s capital – in a predominantly white community. But I have to be honest, if I think about when I first realized what colour I was, that reckoning hit me when I moved to the US, not when I was living in Switzerland. In the US it’s almost like these defined cliques and you have to make a choice – a statement – and decide what side you will join. Often I got the question, “Well do you feel like you are black, or do you see yourself as white?”. I see myself as All. In picking a side, you are denying one half of yourself. How can you do that? It took time to fully come into my own and work on it, but I think I have a good blend of the two cultures inside my heart. One of the biggest joys I find in music is the freedom. You don’t have to fit into a clique. There are no boundaries to where you can go with music, or what story you want to share.
VM: It seems the diversity in your family helped you nurture a very positive voice and outlook.
PJ: My parents were very, very supportive, especially of my music. My mom said I was singing before I was walking. But I think the first time it resonated for me, was when I was eleven and sang with my school choir. That’s when I knew in my core that this was something I wanted to do. I expanded into singing and dancing contests. My father in particular always supported me. He always wore a suit, so he looked like my manager, always sitting in the back providing steady support. There were times when he pushed me to enter a competition, and I would say, “I don’t want to conform to anything! I’m a rebel, I don’t want to be commercial…” But he would just reassure me and say, “Hey why not, you never know. Just check it out.” Those opportunities would lead to another, and another, and eventually allowed me to perform shows in Germany and Russia, and I really had a chance to expand. I definitely felt supported by my parents. But they also told me to get a degree. They said that you never know what life will bring you, and you want to have all possible options available to you. They said, “We don’t care what you do, just get a degree.” And well, I could never commit myself wholly to something I didn’t love, so I became a nurse.
VM: That’s some really solid advice. But what pulled you to Nursing?
PJ: Nursing draws me in because it’s about the miracle of human beings. I have a huge respect for our body, for nature, for anything we can’t really 100% explain. I have a huge fascination with the frailty of the human body, and also its strength in what it’s able to accomplish. I also really love engaging with all types of people. I can get bored in a routine quite quickly; Nursing is the perfect job because you meet a lot of different people every day, each with their unique stories. And every nurse who reads this is going to laugh, but I always say that I’m a nurse, I’m a psychiatrist, I’m a counsellor, I’m a spiritual guide, I’m a nanny, a butler, a maid, everything that you can imagine and more. In this one role, you really have to pull from so many other roles.
The broad bridge between Nursing and music has been gapped by my ability to really explore and know myself. My dad has been a huge driving force. I always had an extremely curious outlook and my parents nurtured that. They were very careful not to shut it off. My dad taught me that things are never the way they seem, that you have to really look closely and pay attention to every story and look for yourself. I think our society, globally, can be amazing. But we still have a lot of issues and hangups, like skin colour. And one thing we learn in Nursing is that the skin won’t help you when it boils down to what matters. It won’t help cure you. Internally when we are cut open, we all look the same.
VM: Maybe that can be the next song.
PJ: Yes! We are all Red.
VM: Thank you so much for taking the time out of your schedule to sit and talk with us. Where can our readers find more information on your albums and work?
PJ: The first album is available on iTunes. You can also buy the hard copy over at CDBaby. The 2nd full length album Love/Infinity will be coming out soon. The first single off of that is “Relativity” and that’s also available on iTunes. We worked with a lot of great producers including James Poyser of the Roots, Kev Brown, Fantasic Machine and Mobius Collective, among others.
VM: In the spirit of our weekly feature, how would you define yourself as a colourful woman?
PJ: I am a colourful woman, because I love colours in the true essence! You will see me every day in some crazy new colour combination. I think it represents not only the caribbean flavour and a part of my heritage, but also it represents that aspect of my personality. I try to hold onto the vibrance of my heritage and hope it shines through my personality. I take that with me every day, everywhere. And if it’s grey and black out there, I blast it with my joy.
Take a look at the video for Paola’s single Relativity here, and keep in touch with her through the links after the jump:
The Coloured Collective 